“Buttons” and “Pockets” in Bernard Rudofsky’s catalogue for the 1944 exhibition “ Are Clothes Modern? ” (Copy)

Fully clothed man carries seventy or more buttons, most of them useless. He has at his disposal two dozen pockets.

FUNCTIONAL - UNFUNCTIONAL (Copy)

“Why zippers most of time are at center front?” “Is it really functional?” “Or just because our body already used to these combination & placement, making wearing like DAILY RITUAL?”

SHIKATEOLOGY (Copy)

Capturing people’s attention and reaction through tangible and invisible devices. Not solving the problem by the device itself but finding a brand new method from the viewpoint of “device orientation” to “behavior orientation”.

① IDEA -

PUT ON - TAKE OFF

People dress up for protection, aesthetic, etiquette, self-expression…, various reasons, every day. We consider the appropriation of styles and fitness, but do we observe the ways and the processes of “putting on”?

To complete a dressing process, the body interacts with different fasteners. The actions could be conducted by moving fingers, bending arms or straightening legs. The fasteners could be buttons on shirts, zippers in pants, snaps on denim jackets, and so on. Through the combination of these objects and body actions, each piece of fabric not only connects together but also moves closer to our body. Then, we unfasten all these objects, taking off the garments that are covering our skin and putting on another one. It is an endlessly daily ritual of putting on and taking off.

Could the familiar actions we repeat on a daily basis be different? Could where fasteners appear on garments be altered? What is the difference between each individual’s habits and actions? Between putting on and taking off, how do our bodies benefit from the process of dressing that we are used to. Is every step still necessary and functional? Or are we just numb with the routine?

Based on my studies on user experience, I explore the relationships between everyday fasteners, user actions and clothing structure. In a playful way, like the scale transformation and implied device, I magnify the moment actions when manipulating different placements of the garments and making the wearing process become more interactive. I try to arouse our consciousness to the subtle details that most people seldom notice in everyday life.